Jessica Bardsley, nicholas Croggon is a writer, editor and historian of modern and contemporary art. Her work examines the relationship between bio/necropower, political violence, governmentality , and affect. El debate en Alemania a finales del siglo xviii, Bernal, Editorial de la Universidad Nacional de Quilmes, 2018. Michelles work also examines the history and cultural memory/amnesia of German colonialism in relationship to contemporary migration and refugee politics. In Political Science from the Free University Berlin, and studied Cultural Studies and Social Science at the Humboldt University Berlin and the University of Amsterdam, working on memory practices in urban space, and feminist political thought. Maria Theresia war die bedeutendste Herrscherin des aufgeklärten Absolutismus und eine der berühmtesten Habsburgerinnen. He works on subjects related to literary and media history from the 18th century through the 20th century, with emphasis around 1900. She holds also MA degree in contemporary phenomenology in ENS-ehess (Paris). Her first book, Labor of Love: The Invention of Dating was published by Farrar, Straus, and Giroux in 2016. Her dissertation will explore the impact of sound recording on the writing of sound in Caribbean postcolonial novels, through the lens of ethnomusicology. She has also worked two years in a translational research biology lab.
Recent publications are A Body to look through. Her research probes how certain modes of maria jimena aliano thesis 2017 knowing and experiencing the (in)sense-able may inform classification schemas, sociocultural discourses, and experimental design and practice in science and medicine. She is currently researching a dissertation on the work of Hito Steyerl in the context of postwar German art and cinema. In 2011 he co-founded the contemporary Australian art journal Discipline. From, Jessica held the position of editor at Millennium Film Journal. In 2002-05, Curt was a resident of the Sarai program of the Centre for the Study of Developing Societies in Delhi, India.
Her dissertation explores the prehistory of posthumanism in early twentieth century film and media theory. She holds a BA in Film and Media Studies (Stanford University) and a MA in Humanities (University of Chicago). Her main research interests appertain to the fields of media aesthetic, media philosophy and body imaging. Kirsch received her MA degree in Art History from the School of the Art Institute of Chicago with her thesis Early Video Art: From Anti-TV to Anti-Eye and BA degrees in English and Art History from the University of Texas at Austin. Her work engages cinema and media history, spectatorial theory, aesthetics and critical theory aiming to theorize the aesthetic experience and spectatorship as political praxis.
In 2016, she received a daad grant to study computer prototypes at the Ulm School of Design; co-organized a panel on International Cybernetics for the 2016 Southeastern College of Art Conference; and presented on Les Levines Body Control. Dabei zeigte sich die strenggläubige Katholikin gegenüber Angehörigen anderer Konfessionen wenig tolerant. He is currently completing his dissertation in the Department of Art History Archaeology at Columbia University in New York, focusing on American video practices in the late 1960s and 1970s. Michelle Pfeifer is a doctoral student in the department of Media, Culture, and Communication at New York University. In Comparative Literature and Jewish Studies from San Francisco State University, after studying abroad at Universität Tübingen and the Freie Universität in Berlin. Her work is also concerned with formalist theory of film-language (cinematic language media theory, art, esthetics and technology. His current research focuses on rhetoric, anachronicity and the simultaneity of the non-simultaneous in modernity, and on the poetology of knowledge. Stephan gebar sie 16 maria jimena aliano thesis 2017 Kinder, sie wurde deshalb in der Folge zu einer symbolträchtigen Mutterfigur hochstilisiert.
She received her.A. Katie Lally is a doctoral student in the Literature department at the University of California, Santa Cruz. Previously, he worked as a software engineer at Datadog, a startup in New York City, and studied English, American Studies, and creative writing at Oxford and Princeton. His research focusses on mesh networks, wireless infrastructure, the media archaeology of software, and computer programming education. He holds Bachelor of Arts degrees in Computer Science and Mathematics from UC Berkeley, and a Master of Arts in Media Studies from The New School, where his thesis The Stack: A Media Archaeology of the Computer Program received an Award of Academic Achievement.
Klinger is a second-year maria jimena aliano thesis 2017 PhD candidate at Princeton University. Se entrelaza con una multitud de otras cuestiones, incluyendo problemas estéticos, morales y, fundamentalmente, polticos. El libro rene los principales documentos donde los protagonistas del movimiento ilustrado reflexionan acerca de su sentido, alcance, causas y consecuencias, configurando un debate complejo en el que la pregunta qué es ilustracin? The Brooklyn Rail, June 2016; Review of Hollywood Vault: Film Libraries before Home Video by Eric Hoyt. She has previously studied Molecular, Cellular, and Developmental Biology and History at the University of Colorado Boulder.
Katie explores the production of sonic and ultrasonic devices and knowledge constructs through the lens of animal model systems taking seriously entanglements between non-human actants, the materialities of communication, and sound-reproduction machines. Renée Altergott holds a BA in French and Music Composition from Northwestern University (2008) and a Masters in French from the University of Paris Diderot-7 (2013). Ying Sze Pek is a doctoral candidate at Princeton Universitys Department of Art and Archaeology. Kathryn Wataha is an MD-PhD fellow in the Medical School and Department of History at the University of Michigan. He is the recipient of NYUs Outstanding Teaching maria jimena aliano thesis 2017 Award and the Otto Mainzer Fellowship. During the 2016-17 academic year, she was a Helena Rubinstein Critical Studies Fellow at the Whitney Museum of American Art Independent Study Program. From 2013 to 2015 she worked as a student- and later a research assistant at the Institut für Medienkulturen der Computer Simulation (mecs) at Leuphana Universität Lüneburg.